correvon bei artists24.net - Künstler, Kunst und Kunstwerke

correvon

Switzerland (Schweiz)

category: Painting
technique: Acryl
Style: Minimal / Concept-Art

Statement:
Konkrete Kunst

Der Begriff Konkrete Kunst wurde 1924 von Theo van Doesburg eingeführt und 1930 in einem Manifest bei der Gründung der Gruppe Art concret programmatisch festgelegt für eine Richtung der Kunst, die im Idealfall auf mathematisch-geometrischen Grundlagen beruht. Sie ist im eigentlichen Sinne nicht „abstrakt“, da sie nichts in der materiellen Realität Vorhandenes abstrahiert, sondern im Gegenteil Geistiges materialisiert, keinerlei symbolische Bedeutung besitzt und mehr oder weniger rein durch geometrische Konstruktion erzeugt ist.

„Das Kunstwerk muss im Geist vollständig konzipiert und gestaltet sein, bevor es ausgeführt wird. Es darf nichts von den formalen Gegebenheiten der Natur, der Sinne und der Gefühle enthalten. Wir wollen Lyrismus, Dramatik, Symbolik usf. ausschalten. Das Bild muss ausschließlich aus plastischen Elementen konstruiert werden, d. h. aus Flächen und Farben. Ein Bildelement hat keine andere Bedeutung als sich selbst.

Denn wir haben die Zeit des Suchens und der spekulativen Experimente hinter uns gelassen. Auf der Suche nach der Reinheit waren die Künstler gezwungen, die Naturform zu zerstören. Heute ist die Idee der Kunstform ebenso veraltet wie die Idee der Naturform.

Wir sehen die Zeit der reinen Malerei voraus. Denn nichts ist konkreter, wirklicher, als eine Linie, eine Farbe, eine Oberfläche… Konkrete und nicht abstrakte Malerei. Denn der Geist hat den Zustand der Reife erreicht. Er braucht klare, intellektuelle Mittel, um sich auf konkrete Art zu manifestieren.

Die Farbe ist die Grundsubstanz der Malerei. Sie bedeutet nur sich selbst. Die Malerei ist ein Mittel, um auf optische Weise den Gedanken zu verwirklichen. Jedes Bild ist ein Farbgedanke. Bevor das Werk in Materie umgesetzt wird, besteht es auf vollständige Art im Bewusstsein. Es ist auch nötig, dass die Realisierung eine technische Perfektion aufweist, die der des geistigen Entwurfes ebenbürtig ist. Wir arbeiten mit den Größen der Mathematik und der Wissenschaft, das heißt: mit den Mitteln des Denkens.“

Doesburg

Als Ziel der Konkreten Kunst formuliert Max Bill 1947 in seiner Einleitung zum Katalog der Ausstellung Zürcher konkrete Kunst:

„das ziel der konkreten kunst ist es, gegenstände für den geistigen gebrauch zu entwickeln, ähnlich wie der mensch sich gegenstände schafft für den materiellen gebrauch. […] konkrete kunst ist in ihrer letzten konsequenz der reine ausdruck von harmonischem maß und gesetz. sie ordnet systeme und gibt mit künstlerischen mitteln diesen ordnungen das leben.“

Max Bill

Vom Konstruktivismus und Abstrakter Kunst grenzt sich die konkrete Kunst durch ihr wissenschaftliches Denken (speziell die Erforschung geometrischer Gesetzmäßigkeiten), ihre Konzentration auf das Zusammenspiel von Form und Farbe und ihr Interesse an der Erforschung der Farbe ab.

Bio / Resumee / Statement:
The concept "concrete art", or in French, "art concret", was brought into language about art consciously in 1924 by Theo van Doesburg as the opposite of "abstract art".
"Concrete art" does not of course mean figurative art; by the term "concrete" is meant rather an art that is not abstract in the sense that that it does not abstract or distort natural models. In this way, concrete art differentiates between abstract and immaterial art. Concrete art means much more an art that is based on lines, surfaces and colors and that for the most part follows a clear geometric principle. For this reason, important art-historical preconditions were "de Stijl" and "Bauhaus". Concrete art materializes the mental, but does not have any kind of symbolic meaning. "Painting is a means of realizing thoughts in an optical way", is how Doesburg explained it. Max Bill wrote in 1947: "The goal of concrete art is to develop objects for mental use, the same way people make objects for material use. (...) Concrete art, as a last consequence, the pure expression of harmonious measure and law." In addition to the group, van Doesburg published the journal Art concret in 1930. Concrete art had an important influence on Colour Field Painting and on Op Art.
www.konkrete-kunst.ch

Activities:
1978/79 group shows, new york
1980 galerie 38, dietikon/zürich, (kunstkollegium Limmattal)
1982 mövenpick-hotel, glattbrugg/zürich
galerie odette steiner, bremgarten/aargau
1989 caves mövenpick, dietikon / zürich
„900-jahr-feier“ kirchgemeindehaus dietikon, „ dietiker künstler“
gemeindehaus bergdietikon
learning international schweiz ag, ostermundigen (permanent)
1990 oberholzer ag, zürich (permanent)
rw büroplanung, rotkreuz
caves mövenpick, dietikon/zürich
rüegg-nägeli ag, zürich
1991 t-link management, dübendorf/zürich
edv-beratungs ag, dübendorf/zürich
galerie wohlleben, calw/deutschland
1993 frühlingsausstellung, stadthaus, dietikon
2011 Galerie 4 Zürich
QN Gallerie Effretikon
HanseArt Bremen

www.konkrete-kunst.ch

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